![]() ![]() "Love the new features in 2023! Started using Band in a Box way back in the early nineties. WOW!! What a writing toolbox! I am just so impressed so far." "I just picked up the 2023 BIAB Pro, and have started educating myself on its intricacies and upgrades from previous versions. It has kept me upgrading ever since and 2023 is amazing. "I've been using it since 1991 which was a primitive DOS version for midi development through midi keyboards. "This program has gotten better every year for the past thirty years and I couldn't live without it now!" I use mostly the real tracks and very little of midi." Has been great for writing songs, practice and jamming. One of the best musical investments I've made. "I've had Band-in-a-Box for past 5 years. Wow - we've been receiving some great feedback from Band-in-a-Box® users! Making clips like this also allows you the flexibility of turning them into groove clips and acid loops. That should get you lined up with the chords properly. If after the paste it isn't exactly there just go into the property of the clip and modify the start point. Make the paste in measure on the first beat of the measure at exactly 01:000. Now go to that new empty audio track we made, and get to the measure in the middle of the song where you want this solo to start. Make the second split somewhere after the solo ends. Make your first split in the second measure at 2:01:000. ![]() And this means that your harp solo is starting somewhere within the second measure. If you set your project up the way I do, the first beat of the song is actually in the third measure of the project. Now, I'm not sure, but I think what you are saying is that your harp is actully coming in ahead of beat number one in the song. The first cut is going to come on the first beat of the measure that that harp part fades in on. Now lets looks at the fade in from the intro that you want to use elsewhere in the song. Now, If I were working with that harp track, I would creat an empty audio track to paste clips into and use the imported track as the source. I always allow at least 2 measures on the front end of a project to account for the BIAB count-in because the first beat of that measure is my paste point for everything that I import that was based on the BIAB song. First make absolutely sure that your SONAR project is set to the same BPM as the BIAB song you are exporting your tracks from. Lets start with this one and see if it works. I have a lot of different methods for slicing and dicing things that I've brought from BIAB into SONAR. I recorded a harp part that has a delay coming in on one part of the song (a fade in intro) and I want to move that harp part to a instrumental in the middle of the song which has the same chords. This make it difficult to maintain syncing the part to another section with the same chord structure. ![]() I having problems syncing the exported files when I try to edit a section to copy to another part of the song since the imported wav files are not lined up to the measure indicator in the daw. Maybe someone more experienced in this forum can correct me if I'm wrong or make a better or easier suggestion. As far as copying an pasting a part, having the beats at the same place would also help, so all you need to pay attention to is at what bar on BIB the part you want to copy is at so you can paste your copy at the correct place so the chord are correct. I'm assuming that the same principle works for most DAWs ( I'm not an expert in this matters) my suggestion is based on my own experience. Usually the count in is four beats, so you place all your files four beats to the right from the beginning. Hi Peyton, maybe it would help if you tell us which DAW you are using for your production, but for instance, I normally use Sony Acid Pro, and what I do specially if there is a midi part involved, is to make sure i set the DAW tempo to the same one that of the original BIB created song, that way the beat markers are the same and all your wav files and midi should line up. ![]()
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